1.0CUREhttps://cure.uni-saarland.de/en/Eva Hitschfelhttps://cure.uni-saarland.de/en/author/eva-hitschfelkhk-uni-saarland-de/rich600338<blockquote class="wp-embedded-content" data-secret="b5KOzvSogj"><a href="https://cure.uni-saarland.de/en/research/research-projects/ozerandu-2/">Ozerandu</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://cure.uni-saarland.de/en/research/research-projects/ozerandu-2/embed/#?secret=b5KOzvSogj" width="600" height="338" title="“Ozerandu” — CURE" data-secret="b5KOzvSogj" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://cure.uni-saarland.de/wp/wp-includes/js/wp-embed.min.js </script> My project at CURE is twofold: The first part was the continuation of a workshop program, “We Grow With Our Leaves, and Flowers Turned Towards Home”, which was itself part of a larger project, “When the Jackal Leaves the Sun”. This multinational cultural project creates a transterritorial infrastructure for artistic, cultural, and educational work in the context of the legacies of German colonialism in Africa, histories of anticolonial resistance, and the return of ancestral human remains from German institutions to descendant communities. Connecting artists, curators, activists, lawyers, cultural practitioners, and collectives, as well as art and cultural organizations in Windhoek, Kigali, Dresden, Dar es Salaam, Berlin, and Cape Town, the project aims to foster artistic and political forms of countering colonial dispossessions that amplify demands for return, repair, and land redistribution. The second part of the fellowship is part of a collaboration between CURE and the World Heritage Site Völklinger Hütte. My work Ozerandu is part of the exhibition THE TRUE SIZE OF AFRICA (9 November 2024–17 August 2025).https://cure.uni-saarland.de/app/uploads/2024/09/CURE-Fellow-2024_Memory-Biwa-c-Joerg-Puetz-2-scaled.jpg25602560