{"version":"1.0","provider_name":"CURE","provider_url":"https:\/\/cure.uni-saarland.de\/en\/","author_name":"Eva Hitschfel","author_url":"https:\/\/cure.uni-saarland.de\/en\/author\/eva-hitschfelkhk-uni-saarland-de\/","title":"Retropoetics as Reparative Practice - CURE","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FWoeuJ1mbc\"><a href=\"https:\/\/cure.uni-saarland.de\/en\/research\/research-projects\/retropoetics-as-reparative-practice\/\">Retropoetics as Reparative Practice<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cure.uni-saarland.de\/en\/research\/research-projects\/retropoetics-as-reparative-practice\/embed\/#?secret=FWoeuJ1mbc\" width=\"600\" height=\"338\" title=\"&#8220;Retropoetics as Reparative Practice&#8221; &#8212; CURE\" data-secret=\"FWoeuJ1mbc\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cure.uni-saarland.de\/wp\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Backwards-moving or inherently retrograde processes are typically associated with notions such as regression, withdrawal, or an undoing. But these associations only partially grasp the nature of such processes, as demonstrated by retrograde experiments in literary form from England, Germany, France, and Latin America. Particularly notable in this context are palindromes\u2014sometimes called \u201creversers\u201d\u2014and variations of retro-narration, which explore the semantics of the prefix \u201cre-\u201d\u2014as both \u201cback\u201d and \u201cagain\u201d\u2014and thus engage with themes of reparation and restitution. These experimental forms interweave elements of reversal and restoration, unsettling spatial and temporal dimensions, event causalities, and their underlying motivations. This project examines the capacities of retropoetic methods:"}