Yi-Ting Wang received her PhD in aesthetics, sciences, and technologies of arts from the University of Paris 8 in 2023, where she was affiliated with the Laboratory Arts des Images et Art Contemporain (AIAC). Her doctoral research examined environmental art in France (1970–1990) that challenged modernist spatial paradigms through site-specific interventions. Supported by fellowships from Taiwan’s Ministry of Education and Ministry of Science and Technology, she has presented at several international conferences. Her current project investigates Anthropocene art, tracing reparative artistic strategies from 1958 to 2025 that bridge the nature–culture divide by restoring degraded landscapes, preserving endangered cultural memory and ecosystems, and reimagining spatial representation in material and digital forms. This interdisciplinary inquiry aims to articulate an eco-aesthetic framework for cultural reparation.
SELECTED PUBLICATIONS
- “Environmental Art in France, 1970–1990”. Konsthistorisk Tidskrift/Journal of Art History. Forthcoming 2025.
- “Total Environment (Sculpture) as a Symbology: The Mesological Study of the Axe Majeur in Cergy-Pontoise”. AM Journal of Art and Media Studies 19 (2019): 45–58.
- “The Sculpture-Environment as a Territorial Research Method: The Reflexion of the Milieu”. Paper presented at the 4th SGEM International Multidisciplinary Scientific Conference on Social Sciences and Arts, Hofburg Imperial Palace, Vienna, 28–31 March 2017.
- “Urban Sculpture in France from the 1950s to the 1970s”. Paper presented at the International Congress of Aesthetics 2016: Aesthetics and Mass Culture, National University of Seoul, 24–29 July 2016.
