• Médiathèque
  • Publications

Chapitre de livre

Sélectionner l’année

  • IRINA PODGORNY
    “Concerto for Sax and Velpeau: Performing Medicine with Exotic Plants and Powerful Machinery in Paris of the Second Empire”

    In Performing Science, Mediating Knowledge: Science, Showmanship, and the Performance of Authority in the Long Nineteenth Century, edited by Nele Wynants and Eva Andersen, 57–78. Brepols Publishers, 2026. 

    → View on publisher’s site

  • BARBARA KRISTINA MUROVEC AND HELENA ROŽMAN
    “Forgetting the Unwanted Past by Visualising a New Local Identity: Public Monuments in Krško”

    In Visual Memory and Oblivion: Monuments and Conflicts in Urban Spaces in Central and Eastern Europe from the Nineteenth Century to the Present Day, edited by Barbara Kristina Murovec and Robert Born, 183–219. Böhlau, 2026. 

    → View on publisher’s site

  • MARCEL LEPPER
    “‘Konservatismus’ als Deckbegriff. Der ‘lange Schatten’ des ‘Historikerstreits’”

    In Kulturkonservatismus, Geistesaristokratie, Ressentiment: Rechte Intellektuellendiskurse zwischen Ästhetik und Weltanschauung seit 1918, edited by Marcel Lepper, Claudia Öhlschläger, and Tillmann Heise. Brill|Fink, 2026. 

    → View on publisher’s site

  • MONA KÖRTE
    “Vertere, pervertere: Palindromtechniken zwischen Vers und Prosa”

    In Vers und Prosa: DFG-Symposium 2024, edited by Judith Kasper and Cornelia Zumbusch, 441–461. Metzler, 2026. 

    → View on publisher’s site

  • JUDITH KASPER
    “Techniques of Mending in Alfred Sohn-Rethel’s Naples Miniatures Das Ideal des Kaputten (The Ideal of the Broken-Down)”

    In Reparation and Irreparability: Theoretical Approaches (Cultural Reparations, vol. 1), edited by Julien Jeusette, Hendrik Rungelrath, Laurens Schlicht, and Hannah Steurer, 23–41. De Gruyter|Brill, 2026. 

    → View on publisher’s site

  • AURÉLIA KALISKY
    “Réparer le présent”

    In Reparation and Irreparability: Theoretical Approaches (Cultural Reparations, vol. 1), edited by Julien Jeusette, Hendrik Rungelrath, Laurens Schlicht, and Hannah Steurer, 110–137. De Gruyter|Brill, 2026. 

    → View on publisher’s site

  • MARKUS MESSLING AND CHRISTIANE SOLTE-GRESSER
    “Times of Reparation. On the Past, Present, and Future of the Irreparable: Postscript Toward the Future”

    In Reparation and Irreparability: Theoretical Approaches (Cultural Reparations, vol. 1), edited by Julien Jeusette, Hendrik Rungelrath, Laurens Schlicht, and Hannah Steurer, 182–196. De Gruyter|Brill, 2026. 

    → View on publisher’s site

  • SANA CHAVOSHIAN
    „Inhale: A Commentary“

    In Ways of Breathing and Knowing: The Politics and Poetics of Air, Atmosphere, and the Body, edited by Nasima Selim und Judith Albrecht, 218–222. Routledge & CRC Press, 2026.

    → View on publisher's site

  • ALBRECHT BUSCHMANN AND STEFANIE GERHOLD
    „‚Aber eines Tages kommt die Freiheit!‘ NS-Terror und weibliche Selbstbehauptung in Max Aubs Ich will keinen Trost von niemandem“

    In Max Aub. Ich will keinen Trost von niemandem, edited by Albrecht Buschmann and Stefanie Gerhold, 79–96. Neofelis 2026.

    → View on publisher's site

  • JULIEN JEUSETTE AND EZIO PUGLIA
    „L’intérieur“

    In Formes de ville : Guide fantasmagorique, edited by Sophie Corbillé and François Provenzano. Éditions Mf, 2026.

    → View on publisher's Site

  • JULIEN JEUSETTE
    „Historical Hauntings in Elie Wiesel’s Early Novels“

    In Witnesses of the Witness: New Perspectives on Elie Wiesel’s Work and Message (Elie Wiesel Research Series, Bd. 1.), edited by the Elie Wiesel Research Centre. Tübingen University Press, 2026b.

    → Read online

  • CHRISTIANE SOLTE-GRESSER
    “Zukunftsmusik: Träume gegen die Krisen der Spätmoderne in Arturo Márquez’ Kantate Sueños“

    In Zukunftsträume: Visionäre Räume in Schrift, Bild und Klang, edited by Janett Reinstädler and Romana Weiershausen, 331–346. Brill/Fink, 2026. 

    → View on publisher's site